“象形取意”思维方式的诠释既是对中国武术文化的追本溯源,也是对其内在特质的哲学性反思。运用文献资料、专家访谈、逻辑分析等研究方法,探究中国武术“象形取意”思维方式的文化内涵与运行逻辑。研究认为,中国武术中“象形取意”既是“天人合一”的整体性思维方式,也是“知行合一”的直觉性“体认”过程。其运行逻辑是以“观物取象”为逻辑原点,以“立象尽意”为汇通纽带,以“得意忘象”为终极诉求的前后相续、彼此衔接的完整过程。中国武术内蕴的“象形取意”思维方式对动作命名、拳种形成、技法革新、风格演变、文化创造产生了全面而深刻的影响。

The interpretation of the thinking pattern of “pictographical acquisition” is not only a tracing of the origin of Chinese Wushu culture, but also a philosophical reflection on its inherent characteristics. Using literature, expert interviews, logical analysis and other research methods to research the cultural connotation and operating logic of the Chinese Wushu "pictographical acquisition" thinking pattern. It indicate that the "pictographical acquisition" of Chinese Wushu is not only a holistic thinking pattern of "the unity of heaven and human", but also an intuitive recognition process of "the unity of knowledge and action". Its operating logic is that takes "observing objects and capturing images" as the logical origin, and "expression of ideas by images" as the communication bond, and "forgetting the images after the attainment of the ideas" as the ultimate pursuit. The thinking pattern of "pictographical acquisition" in Chinese Wushu has exerted a comprehensive and profound influence on the naming of movements, the formation of Wushu sorts, the innovation of techniques, the evolution of styles and the creation of culture.

国家社会科学基金一般项目